DOIN' IT BIG: RESTEGHINI STYLE

This just in, shout out to power couple Kim & Rage, stay blessed! After meeting with CAA, UTA, WM and ENDEAVOR...ICM presented them with the best package and felt RAGE, who will go by his government name for his film career, Dale Anthony Resteghini, can step right in 50M feature films. They said, and I quote; "After carefully watching all of the top talent, it's Dale's unmatched body of work, his range of skills in all areas of production and post as well as possessing that special 'it' factor that can't be taught, we enthusiastically and unanimously concluded that Dale is superior to that of any other director working in music videos today and he is a star. We are honored that he chose ICM to represent him in this, the next phase of his career!!!". Along with IMPRINT ENTERTAINMENT, Dale's feature film management also consists of the NYC head-quartered MONAMI ENTERTAINMENT who's President, MONA SCOTT was instrumental in assuring that he has the top feature film representation. Additionally, Dale is signing to a premier commercial agency in coming weeks. Look for these announcements in The Hollywood Reporter, Variety and other industry publications. As you all know all too well, those who love him love Dale and his work dearly, as he stops at nothing to make sure the artists and the labels that he works with, look their very best and kills himself doing it while leaving no stone unturned on set. And well, for those of you who have not ever had the pleasure of seeing his passion in action for whatever excuse...well obviously, you missed out on greatness!! At this moment he has been given 3 screenplays to read, two are budgeted at 20M and one is 40M. ICM see him as an A LIST director in the mold of McG, Brett Ratner, Michael Bay, Tim Story, Steve Car and others and see his career evolving into a Ridley and Tony Scott like career. While he and I are excited about what comes next in his film career, they're still diligently working on providing stellar music videos amid this tough economic time for the music industry.